Samples 3, 5 & 6 complete

Thanks for the compliments on Sid the Snake (not Wily, Susan!!!), I rather enjoyed working on him from start to finish. Only sample number 2 to get finished now, the long overdue peacock feather. In the meantime:

Here's the finished, 'distressed' version of the tiger skin piece. Not very impressive is it? Wasn't anything special to start with, but now it looks a real mess!!!

This is the small, simple sample we did in class yesterday and I think many of us will use our wrapped cords to decorate the boxes we'll be submitting our 'Line' modules in. When I look at several of my samples etc, I really do fail to see any real, concentrated linear work in them, but I'll try and bring some of that out more when mounting the pieces etc. I picked my favourite pink and purple colours to use here and it was good to get some more of my Pearl #5s into use.

This is sample #3. It's meant to be of appliqué and layering, but whilst there are certain areas that have about 6 layers of sheer fabric, I think the peacock feather (#2) will answer this technique as well. It's supposed to be a butterfly near some buddleia, but the plant is really not well done and I know the butterfly is rather over-simple. Lack of time and umph, I suppose. When you're not really happy with a sample, you don't much feel like putting loads more work into it!! The leaves are much nicer colours in the real thing. Light was poor when I took the pix. This is the drawing, (done with Inktense pencils and black felt tip pen) that I took it from. I confess to having traced this from the source photograph rather than waste loads of time trying to get the shape right.

The bulk of yesterday's work was on the so-called 'resolved piece', design board exercise. I have trouble with this description as it's really just a number of pieces of art based on one or two source photos and, given that we aren't really meant to develop it for stitich - not even to plan it to stitch, I can't see how it's in any way 'resolved'. Sometimes the logic behind the terminology escapes me, so if anyone can clarify this, please do!!=) I didn't get far with it as art is not my string point as yet and I had an accident shortly before leaving the flat yesterday morning. My right little toe had a high speed collision with the edge of the fireplace and would now make a great source for a colour module exercise!!! I can walk better on it today and it should give little trouble by Monday, but I was feeling rather worse for the shock to the system etc yesterday. It's certainly not broken anyway, so there's nothing to worry about and I had my viola lesson sitting down afterwards!!!

We're hoping to go and spend a year in Taiwan from Aug/Sept next year, so I hope that works out. Whilst I'm there, I'll be able to have a go at some of the bead based crafts that are big in that part of the world and also do some research for the C&G Diploma level written work, when you have to produce studies into three countries with strong embroidery traditions. I'm planning on doing China, Norway and Brazil. If funds allow, I'll see about doing C&G level 2 stumpwork during that year away too, but money is always a major factor, so I may well not get to that and just end up taking lots of kits with me to work through and enjoy.

Hoping to get the peacock feather done over the weekend and also a couple of pieces of seahorse-y art done for this design brief business, then I just need to get and cover a suitable box and mount all the work so far. Ooof, there's a lot to do! I've had no chance to do more than a single row on my band sampler!

Sample 4 completed - snakeskin beadweaving

I seem to be catching up on my C&G samples in reverse order just now!! I put Sample 5 (see last post) through the wash this weekend and it is now frayed and, whilst it was never overly impressive, it now looks really rubbish! Just need to trim a few stray threads and press it, but I will try to avoid that kind of thing where possible in future. Really not my scene at all.

Sample number 4 was based on reptiles, so I hunted on-line and found a terrific snake to work from. What do you think of this chap? He's rather cute in his own way, isn't he?

From our source material we had to do some artwork as ever and I just did a section of the last 2½ coils, from which I drew up a beading chart. This kinda taught me how to do charts for things like cross stitch, needlepoint and so on as well, so I think I may well be able to do that after all. Given that cross stitch is about the world's most popular form of embroidery, being able to create charts may even create some income one day?? But I wouldn't hold my breath there!!

Using a beading loom, which you can see here all threaded up and ready for use, the chart was then turned into a piece of beadweaving. I took this photo whilst doing one of the later rows. You string all the needed beads for one row onto the needle, then, from underneath, slot them between the warp threads. After that, you go back through the row with the beading needle and thread, taking care to go over the warp threads this time. Then it's on to the next row.

This is the finished piece, with each bead kind of representing a scale on the original picture and this is the beading needle when I'd finished. It was straight when I started!!! I didn't think I'd like this and most of the ladies in our first year group were saying that they couldn't see themselves doing this again, how it hurt their eyes etc, but I really enjoyed this and didn't find it any bother to my eyes at all. The only hassle was that the beading thread I used, a nylon wire sort of thread, may have been rather thicker than would have been more comfy to use. One of the other teachers who popped in last week to see what we were doing etc said that you had to take the needle back through the whole row at once, but I wasn't able to do that as it got caught and was impossible to pull through. Don't think it made any difference to the finished sample though. I'm hoping to get a nice, little bead loom as I think this type of this has definite potential, as long as you don't mind using lots of beads and remember that the beads are higher than they are wide, so about 2 high would equal 3 wide. Different from the exact squareness of your regular cross stitch!

Lots to catch up on.....

I still haven't finished the feather sample (Sample 2), but have done a little more on it. I'm also well on with Sample 3, which is a butterfly and that should be ready to show off very soon. Sample 4 is of bead-weaving and I've done the artwork and the beading chart for that and am looking to getting stuck in with the beads and the loom. In fact, I've got through so many other tasks recently that things seem nice and peaceful and perfect for getting all caught up soon. So, I'm hoping to make several posts over the next week or so.

The one thing I can show you is the first sample I actually got done in class. It's a stitch and slash technique sample and the original source was to be animal fur. Silly me went and left the photo I planned to work from on the sofa instead of putting it in my college bag, but managed to scrounge this lovely pic (which you can see part of here) to work from. We had to make a felt-tip pen design from it, which is here and is not exactly impressive, I know, but my artwork is never really going to set the Thames on fire, is it??=)


The next stage was pressing then pinning together 3 or 4 fabrics in similar colours to the design, then to machine stitch (ordinary sewing foot and straight stitch) the lines on. After that, the fabric is cut away to reveal layers of the underneath colours. Here's the sample so far, (it's supposed to be put through the washing machine cycle to 'fluff' it up a bit - ie fray and wreck it!!!!), and it does look a bit like tiger skin. I confess, this kind of work is not really my thing - bit too large scale and 'rough' for my tastes.



I got some more fabric and silk paints in the post today, along with 3 bottles of silk paint gutta. Haven't much of a clue how to use it, but we'll be starting that in class in about 3 weeks' time.=) Also got some silk habotai, some green beads needed for my beadweaving sample and some beading thread for that.

It's show time!

This weekend was the Fashion, Embroidery and Stitch show up at the Great Yorkshire Showground, Harrogate. I can't say I enjoyed it as much as last year and I didn't feel there was as much for me to buy directly stitching-wise as it's more a exhibit and buy supplies type of event. So, you can get all manner of fancy stuff to stitch with and on, but I confess, I rather wanted to treat myself to a kit or two. Still, time and opportunity enough for that in late November at the Knitting and Stitching Show.=)

What I did get was all either for my C&G course or for stuff for my stand at next year's Staff Festival, if I go through with it. Here are the fabric colours I got, a starter set of dyes and 3 each fabric and silk paints. I just got the basic primaries that can be mixed to more or less anything, but I think I may get the other primaries as well next time - the warmer colours. We'll have to see how I take to it. They weren't really that expensive, but I didn't have enough money to buy any more.

I also got these bits and pieces - soluble film, some small embroidery frames, some roccoco gold thread (the only thing I bought for personal project interest), a fat quarter of silk habotai ready for the silk painting stuff and some buttons. Here's a close-up of the buttons as well, as they're really cute! They're for small, garden-ish embroideries I'm hoping I may be able to sell. Knowing me though, I'll probably never get the time to do them and, even if I do, I don't dare hope to really be able to sell very much! I'd have to charge quite a lot, even for a simple piece, in order to make it worth my while.

No more C&G work or other stitching to show as yet as I've had the most yacky cold etc. Quite a few in my circle have been down with it and it's the type that seems to get better, then flares up again. Anyway, I'm hoping that I'm at the end of it now and can get back on.