New cross stitch projects coming up!


Yes, yes, I know I was going to do some small Helen M Stevens' designs, and I haven't forgotten them.  It's just that I, frankly, want to be able to sell on the above charts - esp as a lady in the south of England bought 'Winter' and 'Spring' from me last weekend - so I need to get them worked up.

I'm not very much into the Lizzie*Kate style of design, but more or less anything four seasons design-wise will get me, so I collected these.=)  I also rather liked the third one, 'Cherish All Living Things'.


Before we went to Taiwan just over four years ago, I sold off about two thirds of my over-dyed threads - GAST and WDW, but I kept back all the colours I needed for these projects and some others that I thought I would use in other types of embroidery.  So, thankfully, I had everything I needed to kit up these designs, except perhaps a piece of linen for the last one.  I haven't finally decided on that one as yet.


This is the floss toss for the first one, 'Summer', and I'm ready to get going on it.  I was going to wait until I'd got further on with the sampler, but, as I'm having some lung trouble which, oddly enough, restricts how I can move around and bend over a piece of work (cutting threads needs me in a certain position and I can't maintain it for long just now), I'm giving myself permish to make a start on this one!  As I remember from 'Winter' and 'Spring', they're a rather a bore to stitch in parts, but shouldn't be too bad.

The sampler is coming along well though.  I've finished the 'look through' section cross stitch etc and set that aside for later.  I've also re-positioned the main piece in the frame and cut out the top two motifs.  Sadly, my hardanger scissors declined to co-operate, so it seems we need to look at those again.  However, my goldwork pair have lovely fine points and, as they're specially toughened for cutting metal threads, won't go blunt very quickly.=)

Text and images © Elizabeth Braun 2013

Work in Progress Wednesday - on Thurs 26 Sept 2013!!


I haven't made huge strides this week and I was too busy yesterday to post an update, but here it is a little late (and still Wednesday somewhere just West of the International Date Line....).

I inserted the french knot lupins, which I can't say I enjoyed.  I don't mind french knots in small doses, but these were a bit of a bore to stitch, so I was glad to get the out of the way.


On these two shots, you can also see that I put in a few of the remaining beads, just leaving the section near the bottom scroll to do after the upper section has had the cutwork done.  Of course, you can't put beads under a snap frame bar, although ordinary stitches don't suffer by it too much.


I also discovered and inserted a few missing 'x's from near the beaded area and, as you can see below, made a start on the 'look through' piece that will be fixed behind the large square box when that's cut out and a few filling elements put in.


So, apart from those last beads, (about 15 mins work), the surface is now complete - HURRAH!

Time to get the trusty old petit point scissors into action.  I'm not nervous of cutting threads as a general rule, although I will feel a little more cautious than I normally do when doing the larger areas.

Text and images © Elizabeth Braun 2013

Work in Progress Wednesday - 18 Sept 2013

It's that time of week again and here's the latest on the sampler project.

This first photo shows the girl with all the cross stitches completed.

Whilst I was working this section, I was paying great attention to the quality and neatness of my little 'x's.  This came as a result of reading some of the show judges' comments on one American lady's blog and hearing the judges at work on a TV programme I saw on the iPlayer.  They said, "If we're going to nit-pick, and we are supposed to, then..." followed by a minor flaw in the piece they were judging.  This was a relatively high profile event, but I understood that the blogged one was smaller scale (albeit one with far more categories going!), so it seems that standards can be very high no matter what type of event is in the question.

I took a couple of photos of a stitched area with some that looked a little uneven in places, but it didn't show on the photo!!!  However, one could see the flaws with the naked eye and, show or no show, judge or no judge, I like to do quality work so I applied myself to keeping things more even.=)

Points that came up for a bit of criticism by judges were flaws in mounting and framing (one wasn't properly stretched and so it was very loose in the frame), stitch tension issues and trailing threads visible from the front.  This latter really is easy to prevent, although it's more of an issue when using evenweave and linen fabrics than Aida.  One needs to always make sure that starting and ending threads are neatly trimmed and not left sticking out at the side of the body of stitches.  Also, finish off a thread and restart it in a new location rather than just trailing the thread across the back.  Especially with dark threads and a light fabric, this looks terrible and is so easy to prevent.

Here's our girl outlined with back stitch and given French knot eyes,

I've also put in the two lupins which are at the 'back' of the group in cross stitches in order to create a sense of depth.  The more foreground ones will be done in French knots.  I just need to experiment to get the right combination of strands and wraps so that they cover well and look neat enough.

Here's our gardener in context and you can see from this that, apart from finishing the lupins, there are only the beads to add in the lower section and the surface work is finally complete on the main piece!  There's just a square to do which will fit in behind the large box next to the girl as a 'look through' element.

Cutwork coming up soon then!  Some of it looks a little scary as it means trying out new filling techniques, but I plan to do some dummy runs on a scrap of hardanger fabric.

Speaking of hardanger, Wendy, I totally agree with you about the so-called 'hardanger' scissors being useless.  The blade tips were so wide that you couldn't even use them on 22ct hardanger fabric, never mind this one, which is 32ct linen!  Happily however, Sir managed to fix my old petit point scissors and they're fine again.=)  They had got a bit blunt, but every time I ran the blade against the knife sharpener, it pushed it back slightly, so that the two blades ended up too far apart to be able to cut properly.  He pushed them back together and they work!=)  I suppose this could happen with larger scissors too, but these being so very tiny, it made a real difference.  Anyway, that's that problem solved, I'm delighted to announce.
=)

Text and images © Elizabeth Braun 2013

Korean Traditional Costume - Historical Pieces


Today is the turn of some of the historical costumes displayed in the Korean Folk Museum in Seoul, South Korea.  If you're ever in the city, this place is worth of visit a thousand times over.  It's free to go in has many fascinating displays of various aspects of Korean life, mostly from pre-Modern times.  There's so much for any textile fan, but also plenty to interest family members and friends.

One of the main display halls is dedicated to the life cycle, starting with childhood, moving through marriage and even showing traditional funeral customs and artefacts!  Here we'll start with a look at the traditional wedding party.





Did you notice in the photo above, that the groom is wearing an embroidered panel on the front of his hanbok?  The museum holds quite a collection of these and a few of them follow.







Let's now move on to some of the cute little costumes for children.  As you can see, they mirror the adult versions quite closely.





Waving us a farewell is a lady in a relatively simple, everyday hanbok.  These can still be bought in Korea and several of the assistants in museum shops etc were wearing this kind of dress.  Lovely to see such beautiful traditions being kept alive!


Thank you for your visit!  I hope you enjoyed it.=)

Text and images © Elizabeth Braun 2013

On shows and auctions

Hi everyone!

No stitching progress showcase today, (although I have made some and the sampler is moving forward at a satisfying pace), just some chat about shows and so on.  Three comments on my last post led me to really think about shows - what that might mean and what one might be up against.

First of all, Carol asked how I'd found out what shows were where and if they had suitable exhibitions to enter.  The first place I went to was the 'Crafts' interest group section of the Sheffield Forum, an on-line forum for the local area, and asked there if anyone knew of anything local that would answer.  A lady told me of two local events and when and where they're held, so I web searched them and found out what sort of exhibitions they had in the arts and crafts sections.  You might need to download an entry form when you get to this part in order to see what's on offer.  Several shows have only arts and craft sales, rather than competitions, and some have limited categories that may not appeal to fine embroiderers.


After that, I tried searching for 'town/city/county name' + show or fayre or horticultural show etc. and came up with this site: Country Shows.  (There's another site called Game Fairs and Country Shows that's similar too.) On there, in county order, is a list of a LOT of shows.  There'll be other sites like this too - just do a search for them!=)  Each show's website is listed and you can find out what's on for each show there.  The ones that tend towards horticulture (flowers and veg) as opposed to agriculture (sheep, pigs and horses), seem to be the ones that have an arts and crafts section.

Sharon then mentioned that some shows can be very competitive and can also seem like a forum for certain groups to get into the spotlight.  That seems to ring true after one or two some comments I've seen here in the UK too.  One lady was lamenting that, after trying for 20 years, she never got to win as someone from the WI (Women's Institute) or local embroidery club always seemed to be picked over her.  (She did in the end, as she presented a 3D embroidered garden that knocked their socks off - go girl!)  She was also subject to judge's preference of design and colour, which brings me to the third comment:

Wendy mentioned that a homestyle TV personality had been heard of entering regional shows and (if I understood this correctly) winning outright and that led me to think about judge bias.  Of course, this is always a problem with competitions and, in this case, the judge(s) probably felt they had no choice but to pick the celebrity's entries as the winners.  Also, some judges will, understandably, allow their own tastes to colour their decisions.

So, where does that leave me?  Well, in the same place, really.  I still intend to enter.

I'd be fooling myself if I thought that we lived in a fair world and there are going to be times, events and places where the deserving are overlooked for some unfair reason.  However, this isn't going to happen in every category at every show.  It'll just happen sometimes and, I feel fairly certain that there will have been some sort of protest made against a celebrity getting preferential treatment.  Things like this are deemed newsworthy as they're relatively rare.  If they happened all the time, no-one would hear about it anymore.  So, I'm not overly concerned about that, especially not in my first year.  After all, I actually have no real idea of what sort of pieces are submitted to any of the shows I'm interested in.  I've just seen the category titles, so my first year will be a matter of joining in and getting the lie of the land.  It also gives me something to work pieces for, which can often be a problem when you enjoy creating things for the sake of it as much as anything.  Without the motivation, the ideas tend to stay just ideas and don't come to fruition.

There may also be some other element of bias in the judging of some places, especially where repeat winners may be involved.  One show, which I would have said was easily going to the most competitive one, has a trophy for the best piece of hand embroidery and another for the overall best entry in the arts and crafts section.  There'll be some jostling for those, I'm certain!  Having said that, others will be low key and more 'for fun'.

One of the American ladies whose blog I had a look at gave another interesting insight into the show world when she showcased her entries - all of which either won that category or gained an honourable mention.  She reproduced the judges comments too and that really made me think about stitching quality.  More on that with the next WIPW post!!  Her post also gave me pause as her entries were all in a very similar style and weren't really complex.  A number of pieces I saw on a Google image search also showed relatively simple work winning ribbons.  There's nothing remotely wrong with that, but it did make me wonder about the types of exhibits that one would expect in various locations.  That'll be very interesting indeed - seeing how much the expected complexity of the entries varies from show to show.

So yes, I still intend to have a go and am looking forward to it very much.  I know it won't be plain sailing with me winning first prize in every category at every show just 'cos I enter.  Hardly!  I mayn't come away with anything other than the fun of entering, and that's OK.  It's just meant to be a pleasure and motivation thing after all.=)

Moving on to auctions and I spend a few hours yesterday afternoon listing a number of items on e-bay's free listing day event.  There are pieces of evenweave and Aida fabric, counted thread work charts and a number of other needlework related things listed on my auctions.  Many have worldwide availability, some just Europe, some just UK.  If you see something you're interested in, but can't bid on because I didn't select a postage option to that area, as long as it has no bids yet, I can change that, so do leave a message and let me know and I'll see to it ASAP.  The photos decorating this posting are examples of some of the things I've listed.=)  Click on any one of them for a clearer view of the design.

Text and images © Elizabeth Braun 2013

Work in Progress Wednesday - 11 Sept 2013


Huzzah!  A progress report on my sampler again.=)

As you can see from the photo above, I got the bottom ribbon section completed.  It was harder to get even than the top one and I'm quite sure that there are several more departures from the pattern than even the ones I know about!LOL!  Anyway, I remembered that I'd tried to do the filling part first on the top ribbon, then unpicked it and did it outline first instead.  With this lower one, I persevered with the filling first method.  I think the top one came out better.


The next challenge was to finalise the colours for the remaining surface work sections, namely the tall lupins you can see the gaps for and the girl.  I did consider leaving the girl out completely, but, after some consideration of the very green with touches of purple colour scheme, I felt that my planned change of dress colour from chambray-denim blues to cool  yellows would add a nice accent colour to the whole piece.  These aren't quite the final shades I've settled on for either pinks or yellows (I've changed one in each group), but near enough to get the feel for them in the piece.

Below is how far I've got with stitching the girl, i.e. the lighter shades of her dress skirt.  I'll be replacing that darker line with a lighter, more yellow, less brown one and just using that darker shade mixed in for the real shadow areas on the dress.  Hopefully, that should be ready to see in next week's WIPW showcase.


Below is the full piece in the frame at the moment, so you can't really see all of the top section.  There's really just the girl to finish, the lupins to add (I did start them in French knots, but I'd used 3 strands and 3 wraps and wasn't pleased with the effect, so will come back to those) and the beading on the lower section and the surface work is complete.  Actually, the beads won't go in until the cutwork is done on the header area as I won't be able to use the snap frame properly with beads in the way.  It's a close enough call with the bullion knots in the top area as it is!



Speaking of cutwork, I've blunted and can't seem to sharpen my tiny petit point scissors I use for hardanger.=(  In fact, every time I try, I seem to make them worse! I'm planning on asking Sir to have a go at them, but I've also ordered a new pair of those bent shape ones that are sold as hardanger scissors.  They may arrive today.  The last thing I needed to cut I ended up having to do with my goldwork scissors, which, whilst it won't hurt them, I'd rather not.

I've also discovered something interesting which is that we do have fairs and shows here in the UK where you can enter arts and crafts to compete for prizes and, in some cases (Leeds - my home town), even trophies!  There are four within reasonable distance of here and, as I've missed three of them already and the deadline for entries for the fourth (which takes place this coming weekend) is today, it's too late for this year, but I don't mind.  I've already begun putting together ideas and materials for pieces to enter into next year's shows (Leeds, Penistone, Rotherham and Sheffield).  The local one is a little disappointing in the categories offered - really only knitting, crochet and cross stitch.  Having said that, there's cross stitch and there's cross stitch!  And do I have a great piece in mind to enter for next year's 'Cross Stitch - non kit' category!  It has metallics, rayon threads, beading, a charm, small satin stitch motifs, fine details in petit point.... This sampler might just qualify as well and I can enter three pieces in each category at this show.  There is a general crafts section too, so I might see if I can put the stumpwork rabbit in for that.  Unlike many others, our city show allows exhibits up to 3 years old.  Most mandate that it must have been made within the last year. 

I've also contacted the Sheffield Fayre organisers to request a more general 'Embroidery' category for adults as there is one for children and one for teens, but I don't consider our needle arts as something only for kids!  I've been reading about North American and Australian ladies entering their pieces etc in their local shows, but had never heard of anything like that here before.  I posted a question about it on our city forum and found out that they're part of local agricultural and horticultural shows.  So, look out for projects with that shows mind and, I hope, one day a blog page dedicated to 'Awards' won at there.  

Text and images © Elizabeth Braun 2013

Traditional Korean Costume - The Modern Hanbok


Recently I promised a post or two on traditional Korean costume, the Hanbok, and here's the first, showcasing both some lovely clothes on sale in Seoul, South Korea back in August 2010 and a Korean friend of ours here in the UK.

Of course, many of these first photos have been taken through display glass from the street, so please forgive the 'extras' and, in one of them, you can even see me taking the snap!!




Below are two close-ups taken through the gratings over the display window of a shop that didn't seem to open on Sundays (which was the weekday we were out and about on this street).  Long-time readers may remember these photos, but they don't grow tired for seeing them again, do they?  Wouldn't you just love to walk around in such a work of art?  I suspect these heavily embroidered Hanboks were wedding clothes.



Here is a lovely little Korean friend of ours Jenny who, like Sir and I, met her hubby Rob whilst studying in Taiwan.=)  She very kindly allowed me to take close ups of the embroidery on her wasitband and cuffs so I can share its beauty with you.




Next time I'll feature several of the historical costume pieces on display in the Seoul Korean Folk Museum.  In the meantime, I hope you've enjoyed this brief look at modern Korean traditional dress.

Text and images © Elizabeth Braun 2013